2 Tense And 2 Intimate Moments In Episodes 5-6 Of “Filing For Love”
The weekend has gotten so much more entertaining now that “Filing for Love” is raising the bar for what any office romance should be. Gong Myoung as the puppy-like Noh Ki Jun and Shin Hae Sun as the charismatic Joo In Ah are making viewers obsessed with their intense chemistry and unique charm. Especially this week, things start to heat up for real for this couple. Here are some moments that rivaled between the intimacy and the tension in the latest episodes of this K-drama!
Warning: spoilers from Episodes 5-6 ahead.
Tense: In Ah and Ki Jun facing the aftermath of their kiss
Nobody could act in a normal way after an explosion of feelings, such as the mind-blowing kiss that In Ah and Ki Jun shared in last week’s episodes. So it is no surprise that they find themselves in an awkward position that only accentuates when In Ah tries to brush aside the issue with a simple apology. In that sense, Ki Jun has every right to feel hurt by her attitude. Nonetheless, In Ah also has valid reasons to act in the way she does, but we don’t know about them yet.
Things only turn even more uncomfortable after they have to investigate a case of an employee who uses inappropriate methods to ease his business deals and ends up creating a mess on his wedding day. This situation again brings out the unspoken question that hangs around In Ah and Ki Jun: Is their kiss really not that big of a deal? Especially given their respective positions as boss and subordinate.
This is why In Ah immediately draws the line between them, even if it looks like she is reluctant to do so. Fortunately, Ki Jun is aware of her intentions and isn’t afraid to point it out plainly. While his words increase the tension, it also makes his character all the more attractive. There’s nothing hotter than a man who isn’t afraid to talk about his feelings. And surely, In Ah could see this too, one way or another.
Intimate: Ki Jun learning about In Ah’s family life
It seems that the more In Ah tries to push Ki Jun away, the more the circumstances turn against her. By accident, he ends up finding out about the story of her family when her father, old and sick, appears out of nowhere looking for In Ah. And not only is she cold towards the man, but she bluntly asks him to never come back. As it turns out, he was married when he met In Ah’s mother, and she suffered through her life for being born out of an affair. The most poignant thing about this is that her mother, in an attempt to find new freedom in the world, was the one who started to nude model for art classes before tragically passing away, leaving a big scar on a young In Ah.
Strangely enough, this moment of vulnerability seems more intimate than when Ki Jun saw her completely naked, as she is exposing a deeper side of her heart. And Ki Jun has, in his own way, the perfect answer for this. He not only understands her feelings but also sympathizes without making it look like he pities her. He even cries in her place, since it seems like she isn’t the type to let her tears run easily.
As cliché as this moment might be, it isn’t cringy at all; on the contrary, it feels like a turning point for both of them, where In Ah is finally letting down some of her walls. At least, until he passes out completely drunk and she has to virtually carry him to his place. This is where, of course, she discovers that Park Ah Jeong (Hong Hwa Yeon) is living with him and used to date him, completely ruining the moment.
Tense: discovering the affair of Jeon Jae Yeol’s wife
Like many other popular shows, this K-drama follows the trend in combining several different subplots at the same time while the main one slowly develops. This format not only allows for the story to be more dynamic, but it also focuses the spotlight on other characters in an easy way. So while In Ah is fed up with Ki Jun after knowing about his housing situation, they have no choice but to work together on a new case after one of their most popular company’s models gets involved in a scandal. And everything starts to point out to one of the higher ups at the Haemu, making things more complicated.
So far, Jeon Jae Yeol (Kim Jae Wook) hasn’t stood out much outside of his image as the distant and ambitious vice chairman whose only concern is to win the power race against his younger stepbrother. But in these couple of episodes, we find out that, aside from the piece of work that his father is, his wife is also pretty much his worst nightmare. Jae Yeol seems to be completely uninterested in whatever his wife does as long as it doesn’t affect him. But when In Ah, alongside Ki Jun, discovers the underhanded scheme to cover up his wife’s affair with one of the company’s models, that’s when he finally snaps, and we start to see the man behind his mask.
Intimate: Ki Jun confessing his feelings for In Ah
Throughout these couple of episodes, tension never ceased to exist between In Ah and Ki Jun. Somehow, they master the fine art of inadvertently flirting in the office. Though she insists on keeping her distance, arguing that their relationship simply could never work, his sincere efforts slowly pierce at her walls. As straightforward as he is in his work, Ki Jun shoots his shot and admits his feelings for In Ah. With such a simple yet powerful attack, how could her heart remain unaffected? There’s not a chance. Furthermore, the camera work and the setting give us a perfectly romantic scene that is heart-fluttering as well.
There’s a point when In Ah even seems hopeful about the possibility of them being together, but she soon gives up before even having the chance to try. And that might have something to do with Jeon Jae Yeol. Although there were hints about a mysterious past between them, we can now see how much deeper their relationship runs. With this sudden love triangle showing up, it can only mean that things are about to get messier moving forward. Find out who is ready to steal In Ah’s heart in the next episodes of “Filing for Love”!
Keep up with “Filing for Love” here:
Watch Now
Andy zar is an avid drama watcher, from K-dramas to C-dramas, she believes any weekend is a good weekend to enjoy 12 hours of binge-watching dramas. She loves romance, web comics, and K-pop. Find her on Instagram @wuaitboni.
Currently watching: “Filing for Love” and “Yumi’s Cells 3“ Plans to watch: “A Splendid Match”
Drama,Features,Review,TV/Film,drama,Filing for Love,Gong Myoung,Hong Hwa Yeon,Kim Jae Wook,Shin Hae Sun,Soompi Spotlightdrama,filing for love,gong myoung,hong hwa yeon,kim jae wook,shin hae sun,soompi spotlight#Tense #Intimate #Moments #Episodes #Filing #Love1778898759
Watch: Kim Go Eun, Kim Jae Won, And More Bid Farewell To “Yumi’s Cells 3” With Heartwarming Moments On Set
“Yumi’s Cells 3” has come to a successful close!
In the new making-of video for the second to final episode, Kim Go Eun and Kim Jae Won showcase their professionalism on set, rehearsing scenes in depth as they figure out the best way to express the heart-fluttering moments of the drama’s romantic scenes.
While filming the final episode of “Yumi’s Cells 3,” Kim Jae Won closes, “There were such strong contenders in Seasons 1 and 2, but thank you so much for choosing me in the end.” He adds, “We’ll live happily for a long, long time,” expressing his thoughts as his character Shin Soon Rok.
Before the kiss scene, Kim Go Eun “gears up” and gets ready, jokingly saying, “Let’s pay close attention to our movements. Pay attention to your gaze. Don’t turn your head easily,” in order to capture the perfect kiss scene.
In her final statement, Kim Go Eun tears up, saying, “It’s my first time as an actress doing a project for such a long period of time that I feel great affection for the drama, and now that it’s over—I feel a lot of emotions,” sincerely thanking viewers for all the love.
Kim Jae Won shares, “I hope everyone lives happily with the person they love like our cells and like the Yumi and Soon Rok couple.”
Watch the final making-of video below!
If you haven’t already, binge-watch “Yumi’s Cells 3” on Viki:
Watch Now
Also catch Season 2 here:
Watch Now
And start with Season 1 below:
Watch Now
Drama Preview,TV/Film,Video,drama,Kim Go Eun,Kim Jae Won,Yumi’s Cells 3drama,kim go eun,kim jae won,yumi’s cells 3#Watch #Kim #Eun #Kim #Jae #Won #Bid #Farewell #Yumis #Cells #Heartwarming #Moments #Set1778404375
3 Moments We Loved From The Final Episodes Of “Phantom Lawyer”
Our favorite lawyer is saying goodbye! We might not have seen much action from Shin I Rang (Yoo Yeon Seok) in court throughout the show, but he far surpassed the typical office work to ensure every one of his clients got what they deserved, turning him into one of the best lawyers in K-dramaland. And when it came to what could be his most important case ever, he didn’t hesitate to put everything on the line to succeed, giving this story the ending it deserved. Here are the moments we loved the most in the last episodes of “Phantom Lawyer”!
Warning: spoilers from episodes 15-16 ahead.
1. Shin I Rang revealing the truth about his father’s death
After giving his memories back to his father, it was fairly easy for I Rang to confirm that everything he knew about his father was real. He wasn’t the corrupt and evil person everyone had believed him to be. He was the kind, warm, and loving father he always admired. Once he is certain of this, I Rang is determined to find the true culprit. The problem is, the moment he retrieves the only piece of evidence that his father left behind before passing away, they snatch it from his fingers at the last moment.
Though Shin Gi Jung (cameo by Choi Won Young) helps him and Han Na Hyun (Esom) escape unscathed by possessing his son’s body and showing off his kendo abilities, he gets concerned about I Rang’s safety. After all, his fatherly heart is still the same. But what Gi Jung doesn’t know is that his son is more resourceful and clever than he appears to be.
Using all the tricks up his sleeve, he and his team recover the voice recorder from Yang Do Kyung (Kim Kyung Nam) and expose Yang Byeong Il’s (Choi Kwang Il) crimes. And this moment couldn’t have been more satisfying to watch. It’s your typical “the good one always wins” trope, but it still works because the emotions feel real and overflow in a way that makes you cry watching both father and son realizing justice has finally arrived.
2. Shin I Rang and his family bonding with his father
While there’s much action and some thrill in these couple of episodes, there’s also much emotion going on. I Rang not only had the chance to discover the truth about his father’s death, but also to bond with his father in a special way, something he couldn’t do since his childhood. And when his mother and especially his older sister realize that his father is back, that’s when the real waterfall of tears begins. Once his name is cleared, the only thing left to do for Shin Gi Jung is to say one last goodbye to his family. The years they endured living under a shadow of shame and uncertainty are finally clear, and they can share a happy family moment again.
But in the end, not everything is happiness, at least not for everyone. Things turn a little bitter when Shin Gi Jung reunites with his once good friend Yang Byeong Il, who is unashamed about his crimes. However, despite Gi Jung being the one who passed away, it is Byeong Il who ends up more resentful and spiteful about his situation. But in a sense, it is an appropriate ending for this villain. They don’t try to humanize him or make you feel pity for him, since he ultimately reaped what he sowed. Another clear contrast between the good and the bad ones reflects on Yang Do Kyung, who, despite all his struggles to please his father and follow his will, is left behind all alone.
3. Shin I Rang and Han Na Hyun confessing their feelings
And throughout it all, Han Na Hyun stays by I Rang’s side. Their bond develops in such a natural way in these couple of episodes that even I Rang’s dad notices how important they are to each other, so it doesn’t feel rushed when they finally have the chance to confess their mutual feelings. Admittedly, it would’ve been great to see more of their chemistry, but their funny and charming kiss under the mistletoe is good enough for those who were longing for that bit of romance between them.
It is kind of funny to see a Christmas scene so near the summer in a K-drama, but that’s one of the best things about this show. It follows a story that fits any time and moment, since it speaks mostly about human emotions, relationships, family, grief, and justice; it can appeal to almost everybody. The hints of humor and romance only add to an already solid plot. It feels like it has so much more that it can give; it wouldn’t be crazy to expect another season of Shin I Rang being the best “Phantom Lawyer”!
Binge watch all episodes of “Phantom Lawyer” here:
Watch Now
Andy zar is an avid drama watcher, from K-dramas to C-dramas, she believes any weekend is a good weekend to enjoy 12 hours of binge-watching dramas. She loves romance, web comics, and K-pop. Find her on Instagram @wuaitboni.
Currently watching: “Filing for Love” Plans to watch: “Yumi’s Cells 3“
3 Hard Hitting Moments In Episodes 9-10 Of “Climax”
What lengths can one go to for ambition, power, and fame? Husband and wife duo Bang Tae Seop (Ju Ji Hoon) and Chu Sang Ah (Ha Ji Won) are unstoppable when it comes to serving their interests. Manipulation is second nature to them, and even as they stand on the brink of destruction, the two remain steadfast and unshakeable.
As we saw last week in “Climax,” Sang Ah’s sex scandal broadcast has derailed Tae Seop’s political ambitions. Lee Yang Mi (Cha Joo Young), the chief perpetrator, has proven that she is the one scripting their lives. But is she? It seems the husband and wife have yet another ace up their sleeve.
From mind games to psychological blackmail and intimidation, Tae Seop and Sang Ah prove that whatever the stakes, they are the ones calling the shots. Here are three shocking turns that happened in the finale episodes.
Tae Seop chooses his side
Tae Seop and Sang Ah are two sides of the same coin. The two play the victim card to the hilt when it suits them and gaslight when it does not. Both thrive on the premise that they have survived hell to achieve whatever they have, even if it means trampling over the other.
Sang Ah’s scandal is the top national headline, and for someone who has been violated, she looks unfazed. So much so that one wonders if she was in the know that she was being filmed. From what we have seen of Sang Ah, it is evident she can play and serve however it suits her.
But this time around, the infallible Tae Seop is down on his knees. His wife cheating on him hasn’t upset him as much as what he stands to lose because of the scandal. This is the first time one sees him broken. Through the worst of situations, he has had a know it all smirk on his face, giving us an inkling that he may be down, but never out. But this is the first time he looks utterly devastated. The party has asked him to step down, announcing his departure, and public opinion has turned against him.
He can no longer expose Guk Won, the rival candidate’s fraud. Even the investor, Lee Yang Mi’s former husband, sends goons to beat him up and withdraws his investment.
The blame game starts. Tae Seop accuses Sang Ah of being selfish. She turns around and tells him he only sees his interests over hers. She tells him that had he colluded with Yang Mi, all this wouldn’t have happened. Sang Ah reveals that Jeong Won had drugged her and filmed their intimate moments together, at the behest of Yang Mi.
Browbeaten for once, Tae Seop holds a press conference apologizing for the inconvenience caused and steps away from the campaign. Known to be adamant and unapologetic, he stands on the edge and needs to choose his side. He makes his way to Yang Mi, well aware that he has to do her bidding, and he will, whatever it takes.
From what we have seen of Yang Mi, she is a woman without an emotional radar or a moral compass. She makes her move first on Tae Seop, telling him she has always had a thing for him. It’s unexpected, yet inevitable. Yang Mi has had a Sang Ah complex and clearly wants anything she has. Tae Seop, who has never once cheated on his wife, given their own arrangement, succumbs to Yang Mi.
Soon after, she tells him to visit the ancestral grave of Guk Won’s family member and perform a ritual as informed by her fortune teller. In return, she will have him reinstated in Guk Won’s party. Tae Seop looks destroyed and helpless, but there seems no other way out.
Yang Mi, who is enjoying his suffering, tells him that if he makes one wrong move, things will get worse. Tae Seop has chosen his side, and he is not going to mess this up. But as of now, he is the one being controlled, and it is clear he hates it.
With Tae Seop on Yang Mi’s side and Sang Ah on the opposite, the battle lines have been clearly drawn. But in this charade, it is still unclear who holds the upper hand.
Sang Ah and Tae Seop regroup
The split between Tae Seop and Sang Ah is wide open. He has chosen to align with Yang Mi, and if you think this move has left Sang Ah bereft, it’s far from it. The couple is just leading separate lives.
Sang Ah has always been an unreadable sort, masking her emotions and weighing her responses. The few times she has acted out of character have been in front of Jeong Won, and it is clear her feelings run deep. But this time, Sang Ah wants to protect Tae Seop; she feels she owes it to him. She messages him that the two should look for a way to bring Yang Mi down.
Soon after the broadcast, Jeong Won is ordered by Yang Mi’s people to disappear for good. She doesn’t budge, holding her ground. It is clear she has something on them. She coolly tells them, “If I spill what I have, we all go to hell.”
One would think Sang Ah would be upset that Jeong Won filmed the two of them together at Yang Mi’s orders. But it’s far from it. She sees this as a way to hit back at Yang Mi, well aware that Jeong Won has intel. She meets her, and not one to waste time on sentiments, asks her to divulge what she knows. Jeong Won tells Sang Ah it is best to let Yang Mi be and not get involved any further.
Yang Mi’s people have been shadowing Sang Ah, and Jeong Won, on seeing a hitman approach Sang Ah with a knife, turns around and takes the attack. She sacrifices herself for Sang Ah; it is clear she cares deeply for her. Despite the grim nature of the circumstances, Jeong Won has finally been set free, free from being constantly used and manipulated. Sang Ah looks shocked, and her expression is the same when Ji Soo had died, one of helplessness and regret.
However, at the questioning, Sang Ah appears calm and composed. When Tae Seop arrives, she testily asks him if he regrets that it wasn’t her. He looks pitiful, having turned into a Yang Mi stooge and hating his own predicament. This is a first for him, as he is usually the one plotting the moves.
As they walk out, they see Jeong Won’s aide, Woo Shik, being held hostage and charged for the murder. Sang Ah wants to shield him, but Tae Seop warns her not to. Taking on Yang Mi could prove fatal for all.
The couple, despite their differences and issues, are fighting the same evil — the rich who manipulate the underdogs. Tae Seop and Sang Ah, as we have seen, don’t play fair; they play dirty and they play rough. If we have learnt one thing about the two, it is that they hate their lives being scripted by others and dislike being secondary players. Though they can trample on anyone, they are co-dependent on each other, always keeping their cards close.
Tae Seop visits the mortuary and registers himself as next of kin to Jeong Won. As he goes through her belongings, he finds a pen drive, and the contents are explosive.
It clearly shows Yang Mi as the one behind Jae Sang’s death. We finally see the old Tae Seop surfacing. He shows the contents, carefully edited to his advantage, to Yang Mi. Though she says it is not incriminating enough, he insists it could be, and he has a deal.
Jeong Won, even in death, is dishonored, portrayed as an aspirational actor whose murky and violent past caught up with her. The so-called sex clip is showcased as a scene from the film “Four Seasons,” uploaded by someone to derail Tae Seop’s career and malign Sang Ah’s reputation.
Yang Mi reinstates Tae Seop’s career; he is now advisor to Guk Won. Sang Ah is back in business, winning praise for her acting. Even though it was used against her, it only went on to prove how wonderful an actor she is.
The toast of the town, Sang Ah attends the premiere of her film and wins acclaim for her performance. But victory doesn’t taste sweet, with Yang Mi still a thorn in her side.
She hands over a diary to Tae Seop which details the exploitation she had suffered at the hands of Oh Kwang Jae. It also lists several influential people who were involved and are now bankrolling the presidential campaign. She asks Tae Seop to use the proof in the diary. He looks visibly uncomfortable reading it, confronted with the extent of her exploitation.
We once again notice a rare flicker of emotion which comes and goes on his face. Does he possibly care for Sang Ah more than he is willing to admit? He is shocked since his usually disinterested and aloof wife has never stepped up for him, especially after she has got what she wants.
Tae Seop and Sang Ah may be back in the spotlight for all the right reasons, but their nemesis Yang Mi is the one calling the shots. So, they get ready to set the stage for their final act.
Climax set in motion
The wheels have been set in motion. Tae Seop and his legendary two-faced optics are back in business. Yang Mi has appointed him as advisor to Guk Won during the campaign, but Tae Seop’s own political ambitions come simmering to the surface. He has never been the kind to lie low, and it makes you wonder how he plans to play.
Armed with Sang Ah’s diary and the pen drive left by Jeong Won, Tae Seop devises his master plan. He reaches out to the opposition and hands over evidence of Guk Won’s financial misdeeds. Meanwhile, Sang Ah approaches a TV network with footage from the pen drive which clearly shows Yang Mi ordering Jae Sang’s death. Both husband and wife have their plan in place.
Tae Seop is not someone who puts all his eggs — in this case, evidence — in one basket. He is well aware that Yang Mi wants Guk Won to pass the inheritance bill, which will allow her illegitimate daughter access to Chairman Kwon’s wealth once he becomes President. This sets up his next move.
He tells Guk Won he will expose his scandal if he continues to work with Yang Mi. If he drops her and helps them expose her instead, his scandal will never be revealed. Of course, Tae Seop never does anything for free. In return, he should grant Tae Seop the position of Secretary of State.
One has to applaud this man and his ingenuity. Guk Won agrees. Yang Mi is arrested, along with her accomplices. Sang Ah, standing as a bystander as Yang Mi is being publicly humiliated, smirks as if goading her downfall. The ball is in her court for once. But you can’t help but root for Yang Mi’s downfall, since she is one of the most despicable characters, one who abuses her position and plays people.
The contents of Sang Ah’s diary lead to a wider investigation. Guk Won is seen as a man devoted to the well-being of the nation and both Tae Seop and Sang Ah as citizens who took the hit for truth and justice.
Guk Won wins the election, and Tae Seop is appointed Secretary of Civil Affairs. Sang Ah is winning accolades across the world for her work and delivers an equally unforgettable performance on stage as she receives her Best Actor nod. Playing to the galleries in typical Sang Ah style, she takes a dig at Yang Mi and the media for shaping her as an artist. However, the only time we see her break character is when she imagines both Jeong Won and Jisoo in the audience. Her eyes turn moist for a fraction — it is her way of acknowledging that her victory has been shaped by the sacrifices of these two women who loved her.
As Tae Seop climbs up the stairs of the Blue House, and he stops short to take in the view from the top. As he stands alone, it is clear he is not done yet; he hasn’t come this far to serve those who can still trample over him. Tae Seop has an insatiable greed, and somewhere within him is a son who has never been able to avenge his father’s death.
Tae Seop’s manipulations operate beyond anyone’s radar, and the way his mind works is almost incomprehensible. We see that in his next move when he approaches the WR Group and tells Kwon Jong Uk (Oh Jung Se) he is aware that Jong Uk has been engaging in malpractices along with his father’s doctor so that Chairman Kwon doesn’t wake up. Tae Seop would keep his secret, which he is an expert at, for something in return. This time he wants full control of the now headless WR Group, while Jong Uk would merely be a puppet CEO.
The table has been set. Both Tae Seop and Sang Ah are winning hearts and playing the perfect power couple, both on top of their game. Tae Seop is the new poster boy of politics and has been elected Mayor, while Sang Ah continues to rise. The two play the ambitious yet committed couple to the hilt.
But there comes another twist: Chairman Kwon has woken up from his coma. And Yang Mi has been granted a pardon and will be back soon. When bad news comes, it comes from all corners. Though Tae Seop seems unmoved, Sang Ah looks shaken after she gets a call from Yang Mi, saying she is coming for her.
The stress leads to Sang Ah overdosing at Tae Seop’s swearing-in; he finds her just in the nick of time. It is clear he is worried that he may once again lose everything because of his wife and her ways. As he gets her cleaned up, the two walk hand in hand for the ceremony with the camera zooming in on their backs as they enter the auditorium.
Is this the end, or the beginning of the hell that both Sang Ah and Tae Seop have always spoken about? Will there be a “Climax 2”? We can only wait and watch since Yang Mi may be down but not out.
Start watching “Climax”:
Watch Now
Puja Talwar is a Soompi writer with a strong Yoo Yeon Seok and Lee Junho bias. A long time K-drama fan, she loves devising alternate scenarios to the narratives. She has interviewed Lee Min Ho, Gong Yoo, Cha Eun Woo, and Ji Chang Wook to name a few. You can follow her on @puja_talwar7 on Instagram.
Drama,Features,Review,TV/Film,Cha Joo Young,Climax,drama,Ha Ji Won,Ju Ji Hoon,Nana,Oh Jung Se,Soompi Spotlightcha joo young,climax,drama,ha ji won,ju ji hoon,nana,oh jung se,soompi spotlight#Hard #Hitting #Moments #Episodes #Climax1776570110