C-Drama Starter Pack: 15+ Shows To Watch If You Want To Explore More C-Dramas

If you have been meaning to dive into the world of C-dramas but don’t know where to begin, this starter pack is for you. From heart-fluttering first loves and secret crushes, to complicated relationships, period sagas, and more, Chinese dramas offer something for every mood. Some will take you back to the innocence of school romances, others will keep you invested in the push and pull of adult relationships, while a few will leave you emotionally wrecked. Whether you are a complete beginner or are looking for your next binge-watch, these dramas are a great place to start.

“The Early Spring”

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The dashing and sharp-tongued Luan “Luke” Nian (Jing Bo Ran) is the exceptionally brilliant and demanding executive at “Lime,” Beijing’s top advertising firm. Shang “Flora” Zhi Tao (Sun Qian) is a diligent and hardworking intern trying to find her footing in the high-pressure world of advertising. An irresistible attraction between the two develops into a full-blown passionate yet secret love affair. But personality clashes, professional ambitions, and expectations lead to heartbreak.

The scorching chemistry between the two leads, and a narrative which mirrors complex modern day relationships, elevated by strong performances, make this one a must watch.

“Hidden Love”

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Some childhood crushes stay with you long after adolescence, growing into the greatest love story of your life. Sang Zhi (Zhao Lu Si) is infatuated by Duan Jia Xu (Chen Zhe Yuan), her older brother Sang Yan’s best friend, when she is still in school. What seems like an innocent crush turns into something deeper when a grown up Sang Zhi reconnects with Duan Jia Xu. What follows is a tender romance between the two.

Duan Jia Xu’s gentle nature and Sang Zhi’s sincerity make their relationship particularly endearing, while the slow build-up gives their romance room to breathe. If you love soft-spoken declarations of love, thoughtful gestures, and a male lead who treats the heroine with care, this is an ideal starting point.

“The First Frost”

5 Must-Watch C-Dramas Exploring First Love, Second Chance Trope If You Miss The First Frost

If “Hidden Love” introduced you to Sang Yan, “The First Frost” gives him a story of his own. Sang Yan (Bai Jing Ting) unexpectedly reunites with Wen Yi Fan (Zhang Ruo Nan), a former schoolmate with whom he shares a complicated past. When circumstances lead them to live under the same roof, old feelings and unresolved misunderstandings begin to surface. Beneath their teasing exchanges and apparent indifference lie wounds that neither has quite managed to overcome.

Unlike the youthful sweetness of “Hidden Love,” this romance explores adult loneliness, emotional baggage, and the difficult process of learning to trust again. It is worth watching for Bai Jing Ting’s restrained performance and the slow but rewarding journey towards healing.

“Lighter and Princess”

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Li Xun (Arthur Chen) has been labelled bad news ever since he set foot in university. But his tech brilliance and programming skills are unmatched. His classmate, Zhu Yun (Zhang Jing Yi), is the daughter of an academic who had derailed Li Xun’s academic prospects. Zhu Yun finds herself falling for Li Xun, who keeps her at a distance for as long as he can. Though the two eventually fall in love, it seems Li Xun’s past continues to haunt him.

Though it seems like the end of the road for the two, it’s Zhu Yun who is adamant in making things work, even if it means defying her mother. “Lighter and Princess” gives everything you expect from a love story, including an insane chemistry between the two characters.

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“My Little Happiness”

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For a romance that doesn’t require too much emotional heavy lifting, “My Little Happiness” is a comforting choice. Cong Rong (Xing Fei) is a law intern who reunites with Wen Shao Qing (Tang Xiao Tian), a neurosurgeon who happens to be her childhood friend and neighbor. Their professional encounters and personal history bring them closer even as their personalities and careers lead to amusing misunderstandings.

Wen Shao Qing’s teasing demeanor and Cong Rong’s determination make their relationship fun to watch, while the childhood connection lends the romance a sense of familiarity.

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“The Best Thing”

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Sometimes romance is less about dramatic declarations and more about finding someone who helps you slow down. Shen Xi Fan (Xu Ruo Han), a workaholic hotel manager struggling with chronic insomnia, seeks treatment from He Su Ye (Zhang Ling He), a compassionate traditional Chinese medicine doctor.

Their professional relationship gradually deepens as he helps her confront her exhaustion and she becomes an important part of his life. The drama’s appeal lies in its gentle pacing and emphasis on everyday acts of care rather than constant misunderstandings.

“Shine on Me”

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Lin Yu Sen’s (Song Wei Long) career as neurosurgeon ended after an accident. Forced to leave medicine, he nows heads a position in his family’s business. Nie Xi Guang (Zhao Jin Mai), the daughter of a businessman, wants to make it on her own. She is part of the team that Yu Sen leads. What she doesn’t know is that her current boss has known her from the past and holds her responsible for the accident. Initially they clash, but grow closer, leading to a relationship whose foundations are based on equality and empowerment.

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“Love Story in the 1970s”

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Set against the backdrop of late-1970s China, it follows Fei Ni (Sun Qian), a factory worker who dreams of attending university, and Fang Mu Yang (Arthur Chen), her former classmate. When practical circumstances lead them into a marriage of convenience to secure housing, their arrangement gradually blossoms into genuine love. As they navigate everyday hardships, they encourage each other to pursue their dreams.

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“Amidst a Snowstorm of Love”

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This drama is a love-at-first-sight romance set against the competitive world of professional billiards. Lin Yi Yang (Leo Wu), a former billiards prodigy who has stepped away from the sport, meets Yin Guo (Zhao Jin Mai), a talented player visiting his city for a tournament. Their instant connection develops into a relationship that encourages Lin Yi Yang to reconsider his future and return to the game he once loved.

The drama balances intimate romantic moments with the discipline and determination required to succeed in a competitive sport. The leads also score high on the tally with their scorching chemistry.

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“Only for Love”

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A financial reporter and a powerful CEO make for an entertaining combination. Zheng Shu Yi (Bai Lu) is an ambitious journalist determined to make her mark, while Shi Yan (Dylan Wang) is a successful businessman who is difficult to impress. When their professional paths cross, a relationship built on sharp exchanges and mutual attraction begins to take shape.

Zheng Shu Yi’s determination and Shi Yan’s cool, controlled demeanor create plenty of opportunities for flirtation and banter, while their careers add an extra layer to their interactions.

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“As Beautiful As You”

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Han Ting (Xu Kai) is back home in China after studying abroad in Germany. Regarded as a rookie and caught in an inheritance battle in their family business, he runs into Ji Xing (Tan Sang Yun), his former classmate. Han Ting had been in love with her since college. She is now a tech expert in one of his family enterprises, but has big plans on doing things on her own.

A relationship set against the backdrop of the cut-throat world of start-ups and technology, the drama showcases that trust and equality form the basis of any relationship. Even though it’s set against the world of tech and stocks, the sizzling chemistry between the leads keeps the graph high.

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“Fireworks of My Heart”

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Song Yan (Yang Yang), a dedicated firefighter captain, reunites with Xu Qin (Wang Chu Ran), an emergency room doctor, years after her family forced them apart. Their feelings have endured, but their reunion brings old wounds and difficult choices to the surface. The drama juxtaposes the risks that Song Yan takes on the front lines with Xu Qin’s high-pressure work in the emergency room, giving their romance a backdrop of courage and sacrifice.

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“Our Generation”

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Lin Qi Le (Zhao Jin Mai) is a cheerful, warmhearted girl who befriends the introverted mathematical prodigy Jiang Qiao Xi (Zhang Ling He). As they grow up together, their childhood friendship gradually blossoms into love, but life takes them on different paths.

Their journey through adolescence and adulthood is filled with separation, misunderstandings, and enduring affection. Watch it for the nostalgic coming-of-age story, the tender slow-burn romance, and the lead pair’s chemistry.

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“Go Ahead”

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This is a heartfelt drama of three children from different family backgrounds who grow up together under the care of two single fathers. Li Jian Jian (Tan Song Yun), Ling Xiao (Song Wei Long), and He Zi Qui (Zhang Xin Cheng) form a close-knit family, finding comfort and stability in one another despite the difficulties they face at home. As they grow older, their relationships evolve, and childhood bonds are tested by separation, unresolved trauma, and the complications of adulthood.

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“Love Between Fairy and Devil”

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No C-drama starter pack feels complete without a fantasy romance, and “Love Between Fairy and Devil” is a dazzling introduction to the world of xianxia, or Chinese immortal fantasy. Xiao Lan Hua, also known as Orchid (Esther Yu), is a sweet-natured fairy whose encounter with the formidable Moon Supreme Dongfang Qingcang (Dylan Wang) sets off a chain of extraordinary events. A magical bond connects their fates, forcing the seemingly powerless fairy and the feared ruler to confront their differences.

The body-swapping premise adds humor, while the elaborate costumes, spectacular visuals, emotional stakes, and gradual softening of the male lead make this series an engrossing watch.

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“Pursuit of Jade”

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Fan Chang Yu (Tian Xi Wei), a butcher’s daughter determined to support her younger sister and protect her family, encounters Xie Zheng (Zhang Ling He), an injured nobleman. Xie Zheng conceals his true identity while seeking revenge for a longstanding blood feud. The two enter a marriage of convenience, each with their own motives, but their arrangement gradually develops into genuine love. When war separates them, Chang Yu takes her fight for justice to the battlefield, while Xie Zheng reclaims his identity and confronts the forces threatening his country. The drama stands out for its strong-willed heroine, the leads’ chemistry, and its mix of romance, action, and historical intrigue.

“Against the Current”

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Shen Jia Lan (Tan Song Yun) loses everything, including her identity, after her family is wrongly accused of treason. Adopted by a couple of humble origins, she takes the name of their dead daughter, Lan Xiang. She is taken in as low rank maid into the influential Li household, the very family she was supposed to get married into. She ends up serving Lin Jin Qi (Liu Xue Yi), the man she was formerly engaged to. It is not long before Jin Qi notices her intelligence and quick thinking and falls for her.

A mature and compelling narrative of human survival and honor, “Against the Current” is an immersive watch.

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“The Lament of Autumn”

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Ye Ping Jun (Xu Ruo Han), a bright but struggling student, is wrongly accused of attempting to assassinate Yu Chang Xuan (Ryan Cheng), a powerful young warlord. She strikes a bargain with him to prove her innocence, drawing them into a dangerous game of power, secrets, and shifting loyalties.

Watch it for the intense push and pull between the lead characters, the love and hate bordering on dangerous obsession, as a headstrong heroine refuses to be intimidated by a man accustomed to getting his way.

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Puja Talwar is a Soompi writer with a strong Jing Bo Ran and Lee Junho bias. A long time K-drama fan, she loves devising alternate scenarios to the narratives. She has interviewed Lee Min Ho, Gong Yoo, Cha Eun Woo, and Ji Chang Wook to name a few. You can follow her at @puja_talwar7 on Instagram.

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3 Reasons To Watch Angsty Melodramatic C-Drama “The Lament Of Autumn”

Set against the volatility of Republican-era China in the early 1920s, “The Lament of Autumn” weaves a complex tale of desire where ruthless warlords and shrewd tycoons forge powerful alliances in their quest for power. In this world, relationships serve military and business interests over love, and the need to control and dictate even reaches the personal.

Yu Chang Xuan (Ryan Cheng) is the fifth son of the highly influential Yu family, military commanders in charge of Nanhuai City. Chang Xuan is intelligent and discerning, and his dashing good looks have made him the catch among women, but his reputation as a playboy precedes him. The man doesn’t care for social niceties; if he wants something, he gets it—until he meets Ye Ping Jun (Xu Ruo Han). Ping Jun is a brilliant student who comes from an ordinary home. She takes on odd jobs to help pay for her mother’s medical bills. Proud and resilient, she stands for equality for all, irrespective of social standing. Ping Jun unwittingly gets caught up in an assassination bid against Chang Xuan. This one incident changes the course of their lives, as she becomes the object of Chang Xuan’s obsession. What ensues is a psychological battle where cold schemes give way to forbidden desire and a dynamic that’s all too consuming.

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“The Lament of Autumn” has had viewers hooked so far, and if you haven’t started watching it yet, here are three reasons why you must.

Warning: spoilers ahead!

Cheng Lei as the ruthless Chang Xuan

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Chang Xuan’s gorgeous good looks and cocky attitude strike you immediately at first glance. The man is self-assured and unperturbed by everything around him. His mocking smirk, accompanied by his cool stare, makes him irresistible and even detestable at times. He is a man you hate to love and love to hate.

His father, the powerful General Yu Zhong Xuan, feels Chang Xuan is nothing but a troublemaker in comparison to his eldest son, Yu Ming Xuan, who died in battle. His father’s affinity towards his elder brother, and the memory of how Chang Xuan survived despite being left to die in the same battle, continues to haunt him. Chang Xuan, well aware of the corruption in the military and the power nexus between the wealthy and military generals, wants to secure his own position in the military. But he is constantly denied by his father, being dismissed as a womanizer and a man with no grounding in life.

Chang Xuan, in his own calculated ways, intercepts strategies and alliances. When he saves his father from an assassination bid, he strikes a deal: he should be given power and control of the Nine Corp, claiming his brother’s legacy and securing his own position as the leader of the family’s forces.

The man plays the same card in his personal relationships. He patronizes an opera singer who performs at the Xiangxi Hotel, which he owns. On the other hand, he is on and off with the rich and haughty Tao Zi Yi (Gao Yu Xin), a woman he just indulges for his own selfish motives. Chang Xuan believes that the end justifies the means. He is unscrupulous and is a man who plays and punishes by his own rules.

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But things change when he meets Ping Jun. He hates her guts but is strongly attracted to her. She is a woman with pride. Even when he makes her sign a contract to catch the main culprit in the assassination investigation, he manipulates it to secure her employment at the hotel. It’s his way of controlling her, but she defies him every single time. This further fuels his fascination for her, to the point that he is consumed. He is a cruel savior; he pushes her to the limit but also stands as a protective barrier, shielding her from attacks that come her way.

Chang Xuan is a complex and layered man who, at most times, is incomprehensible. He masks his humanity with irreverence, as in the moment when he takes care of refugees, tending and playing with the little children. It gives him a softness which he quickly conceals. When Ping Jun apologizes to him for calling him a cold-blooded tyrant during the refugee crisis, his response is a clipped, “Don’t try making me a saint. I won’t be able to take it.”

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Ryan Cheng articulates the contradictions of his character with élan. The actor’s tremendous screen presence, accompanied by his contained intensity and understated magnetism, makes Chang Xuan a character who is pulsating and dynamic.

Murky emotional dynamics between characters

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If you are expecting a sizzling forbidden romance against the turbulent era of Republican China, “The Lament of Autumn” is not that show. It defies almost every trope in the book. What unfolds instead is a complex, deeply dysfunctional relationship between the leads, driven by psychology, need, and transaction. Chang Xuan takes a sadistic pleasure in watching and tormenting Ping Jun, showing no mercy. Whether it is his own water drowning inquisition or when she is being targeted by Tao Zi Yi on every possible occasion, he revels in seeing her struggle. But there is also begrudging respect for her resilience. His response to his closest friends is, “I want to see how far she can hold out.”

There is no denying that Chang Xuan is swayed by the presence of Ping Jun. He first thinks it’s just desire but later realizes it has consumed him far more. Aware that her social standing doesn’t merit her a place in his life, he orchestrates situations. When Ping Jun is adopted as a sister of the Bo Ren family, he is close to her; it is a way of securing her position beside him. He makes sure she is employed at the hotel and is helping the dance troupe with their scripts—it’s his way of having her in his domain. And he coerces her into being his date at his birthday dinner, the condition for it being terminating what she describes as a suffocating work contract. And it’s to tell those around him that she is his woman.

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But Ping Jun refuses to be cowed down by him and his ways. She hates his presence and loses no opportunity to mock him, and he indulges her. There is a ferocity and a fondness, which confuses her as well everyone else around him.

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He announces his engagement to Tao Zi Yi with the agenda of gaining access to the funds of her father, an influential banker. Yet he is overcome by jealousy when he learns Ping Jun has a fiancé, Xue Ting (Liu Dong Qin). He recruits Xue Ting to a secretary position in the Nine Corp, and it’s yet another way of having Ping Jun within his radar. He wants to keep her by his side, whatever it takes. The line between lover and tormentor is never clear, but his coercive attachment to her runs deep.

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Ping Jun is no damsel in distress either. A woman with strong ideals and beliefs, she stands for the truth but is naive when it comes to the dangerous power play around her. Her mother is hiding a secret so as to protect Ping Jun. On the other hand, Xue Ting, who has returned after four years in Japan, does not seem entirely forthright about his mission. He is a dodgy man with his own agenda, but Ping Jun trusts and believes anything he says. And on top of it all, she keeps getting entangled and sucked into Chang Xuan’s world, which creates a paradoxical dependence. There is an uneasy symbiosis between the characters, where there are no clear moral absolutes since neither is entirely right or wrong.

The chemistry between the two is also tense, one that is charged with antagonism, desire, and distrust. She is the tragic heroine; he is the savior. But can these two even find a way towards each other among the chaos?

A turbulent era with stunning style

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The setting of this show is as much a reason to watch as the leads. The early 1920s were a volatile time in China. The Qing dynasty had fallen, the young Republic was fractured, and ruthless warlords carved the country into rival territories where power rested on alliances of convenience. Yet the same unsettled decade was also thriving culturally, with the New Culture Movement questioning tradition and championing science and democracy. It is this world that shapes Ping Jun, a student who stands for equality irrespective of social standing. And while Chang Xuan is aware of the systemic abuse, he wants to seize power and create a system which can replace the lawlessness.

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And then there is the fashion, which you simply can’t take your eyes off of. The cheongsam, the body-skimming dress that Shanghai made famous in the 1920s, is a statement in itself. In the early Republic, wearing it was seen as a quiet nod to gender equality, and by the end of the decade, it had picked up a distinct flapper flair borrowed from the West. Ping Jun’s simple cheongsams carry that spirit—modest on the surface but thoroughly modern. The upper class, by contrast, is all satins and chiffons, as seen in the clothes worn by Zi Yi and the Yun women, who are adorned with glittering jewelry and sleek short hairstyles topped with hats. The men in “maguas” (shirt-length Mandarin jackets), Zhongshan tunic suits, and military uniforms with stiff stand-up collars and decorative epaulettes also look sharp and striking. Every costume tells you where a character stands. The result is a world that is colorful and pulsating and a reminder that even in turbulent times, this was an era that dressed to be seen.

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Puja Talwar is a Soompi writer with a strong Jing Bo Ran and Lee Junho bias. A long time K-drama fan, she loves devising alternate scenarios to the narratives. She has interviewed Lee Min Ho, Gong Yoo, Cha Eun Woo, and Ji Chang Wook to name a few. You can follow her at @puja_talwar7 on Instagram.

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