Song Kang Tracks Down Lee Jun Young’s Kidnapper 9 Years After His Disappearance In “Four Hands, Two Sonatas”
Nearly a decade after he went missing, Song Kang is still searching for Lee Jun Young in “Four Hands, Two Sonatas”!
tvN’s “Four Hands, Two Sonatas” is a drama that follows the friendship, love, rivalry, and growth of two students who meet at an arts high school, tracing their journey from adolescence to adulthood as professional pianists.
Spoilers
Previously on “Four Hands, Two Sonatas,” Kang Pio (Song Kang) and Choi Jeong Yo (Lee Jun Young) entered an international competition in the Czech Republic together. Although both of them advanced to the finals, they wound up facing entirely different fates. Kang Pio delivered a flawless performance into which he poured his heart and soul, while Choi Jeong Yo was suddenly abducted right before his turn and never even got the chance to showcase his talent.
In newly released stills from the drama’s next episode, Kang Pio—who has now gone from the age of 17 to 27—is still searching for traces of the missing Choi Jeong Yo. Nine years after his friend’s disappearance, Kang Pio diligently asks around about Choi Jeong Yo with the help of Czech local Vogel (Go Chang Suk).
In the end, Kang Pio finally manages to track down the kidnapper who put Choi Jeong Yo’s life in danger on that fateful day nine years ago. Will Kang Pio be able to learn the truth behind the incident and the identity of the culprit who ordered the kidnapping?
The next episode of “Four Hands, Two Sonatas” will air on September 13 at 9:10 p.m. KST.
In the meantime, watch Song Kang in “Beautiful Vampire” on Viki below:
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QUIZ: Press Play Or Slam Skip On These K-Pop Title Tracks And We’ll Rate The Chaos In Your Personality
Music is totally personal, so the songs that make it onto your playlist is up to you. Even if you think a major hit song isn’t all that, don’t worry. Your secret is safe with us! Pick which songs you’d actually listen to out of this list, and we’ll tell you how chaotic you actually are. Don’t think too hard about pressing play or slamming that skip button. Just go with your gut!
6 New K-Pop Songs Bringing 2010s Party Tracks Back
Millennial nostalgia is back big-time, baby! Maybe the 2010s party sound is a new hit for you, or maybe it’s a longtime love whose comeback is making you feel kind of old. Either way, you can’t deny that these six K-pop songs are a total jam. Party it up!
1. KiiiKiii – “Pop Off Pop Off”
In a comeback that would make Fergie proud, KiiiKiii dropped “Pop Off Pop Off” for the Millennials! The collision of EDM and low-key vocal lines with stylistic autotune is the recipe for a party track that just makes you want to dance. It’s hard to feel down when this song is on – put it on your playlist for an instant boost to your day. Plus, those MV outfits are just so throwback chic!
2. BIGBANG – “Biiig”
The OG kings of 2010s party K-pop, it’s no surprise that BIGBANG’s latest comeback is everything and more! With a surprisingly laid-back track, the bass under the chorus shines even brighter in a groove that anyone can get down with. Plus, the vocal lines are so simple and smooth that they’ll get stuck in your head after just one listen. Don’t say I didn’t warn you!
3. BABYMONSTER – “SUGAR HONEY ICE TEA”
From the moment BABYMONSTER opens with that classic autotune slide up, you know it’s already a 2010s-style party track! This is another one that will get super stuck in your head, but in the best way possible. It’s so easy to throw on and dance to no matter where you are because it’s deceptively simple, at least until that party remix at the end closes the song out with a bang!
4. SEVENTEEN’s V8 – “singasong”
A song that blends that 2010s party sound with old-school video game soundtrack vibes, “singasong” is chill and fun at the same time. Every SEVENTEEN subunit has its own distinct sound, and V8 is no exception. The light melody cut with a bassy, bouncy rap from Vernon is the perfect juxtaposition that keeps it from getting too repetitive. This would go so hard at a house party in 2012!
5. LE SSERAFIM – “CELEBRATION”
If you’re looking for a throwback-style track that will be a hit at the party with the thirty-somethings and the teens alike, look no further. LE SSERAFIM provides the perfect contrast to that heavy EDM backing with their light vocals in “CELEBRATION” so the whole thing isn’t too overwhelming, and the result is 2010s perfection. That chorus is just sooo club-coded!
6. CORTIS – “REDRED”
CORTIS somehow managed to craft the peak 2010s party track with their very first comeback! “REDRED” is the kind of earworm that you find yourself listening to over and over again, and the choreography is equally mesmerizing. The stylized, autotune-heavy vocal line is something every Millennial will recognize and jam to. Plus, the backing track is somehow fresh and nostalgic at the same time!
8 K-Pop B-Side Tracks From 2026 You Don’t Want To Sleep On
We’re more than halfway through 2026 already, so it’s time for a round-up. This list is all about appreciating the under-appreciated: B-sides! Title tracks get a lot of love, but you might miss the B-sides from an album unless you’re already a dedicated fan of the artist. This list will make sure you don’t miss out on some of the best B-sides from 2026 so far!
In no particular order.
1. LE SSERAFIM – “iffy iffy”
With a light, disco-inspired bounce that plays with all of the best music styles that have been influencing K-pop in 2026, “iffy iffy” is right in line with the LE SSERAFIM vibe of albums past without being overdone or boring. This is a song that can go on every playlist—it vibes with just about any day or mood. It’s the perfect balance for the other songs on this album!
2. ATEEZ – “NASA”
Known for their gritty, bass-heavy electronic sound, “NASA” serves up exactly the kind of sound that ATEEZ excels in. The backing isn’t too overwhelming, though, and the members’ voices really shine against the pared-back track. It’s the perfect song to introduce ATEEZ to friends who don’t know them yet. Just about anyone can groove to this one!
3. IVE – “HOT COFFEE”
IVE has been producing some pure K-pop goodness this year, and “HOT COFFEE” is no exception. It’s K-pop in the purest sense, with strong vocals and an electronic track that adds texture and a beat without being completely overwhelming. This is the kind of song that makes you feel like you’re performing your own concert in your bedroom!
4. TXT – “Bed of Thorns”
TXT is known for throwing a bit of a strange twist on the trends in the best way possible! Riding the house and disco wave with their latest album, “Bed of Thorns” lands quite a few curveballs with its haunting vocals and melancholic vocal melodies. It’s a departure from the light, bright house songs of late, but it’s totally addictive and keeps you listening!
5. aespa – “Switchblade (feat. Ty Dolla $ign)”
The kind of song that everyone in the club would go crazy for, “Switchblade” has all the makings of a chart-topper packed into a B-side. The bass-heavy bounce and understated vocals from the aespa members are totally hypnotic, which makes the Ty Dolla $ign feature even more impactful. And once you hear it, the title totally makes sense!
6. ENHYPEN – “No Way Back (feat. So!YoON!)”
“No Way Back” fits in just right with the EDM-heavy direction that ENHYPEN has been headed with their music lately, but it still stands for itself as a fantastic B-side! The slower pace and simplified melody lines keep the whole thing from getting too noisy, and you can really feel the emotion behind the vocals. The feature from So!YoON! is just the cherry on top!
7. NMIXX – “LOUD”
It couldn’t have been easy to follow up the smash hit that was “Blue Valentine,” but NMIXX has done it! With so many amazing B-sides off of this album, it’s hard to choose just one, but once you listen to “LOUD,” you’ll get it. It plays with the idea of “mixx pop” without getting too jarring, and the vocals are top tier. Listen for the harmonies if you want goosebumps!
8. BTS – “2.0”
With BTS’s latest album naturally garnering a lot of attention, it’s hard to say that any of their B-sides are truly slept on. That said, “2.0” still deserves its flowers! It does a good job capturing the latest shift in BTS’s music style, but more than anything, it’s just fun to listen to. Plus, the performances of this song have been chef’s kiss—the vibes are immaculate!
7 K-Pop Tracks That Turn It Up With A Hyperpop-Inspired Beat
You might not think that you’ve heard hyperpop before. After all, it’s got a pretty wild name! Believe it or not though, the hyperpop sound has been a staple in K-pop for years. If you’re already a fan of hyperpop-inspired tracks and looking for new song recs or just want to learn more about the sound that K-pop has been working with for a while now, this is the list for you.
1. aespa’s “Hot Mess”
A Japan release that doesn’t get nearly as much hype as it should, “Hot Mess” cements aespa’s place as the ruling hyperpop queens in the K-pop industry. The statement-making electronic backtrack combined with the members’ hypnotic vocals make this song super addictive. If you’re a fan of the hyperpop sound in K-pop, then aespa is the group for you!
2. SEVENTEEN’s “GAM3 BO1”
Here’s to the true hyperpop fans—SEVENTEEN’s hip hop line showed up and served! With the chaotic, bouncy backing track and the unapologetic autotune, “GAM3 BO1” is what a hyperpop-inspired song really sounds like. What might sound like over-production to some is a statement to others, and you can’t deny that this track is just so fun to listen to!
3. ITZY’s “24HRS”
This song might throw you for a loop once, or twice! The repetitive line is quickly broken by a surprisingly melodic pre-chorus, and when combined with that heavy electric track, it makes for a song that you just can’t get bored of. “24HRS” isn’t a song for everyone, but the true hyperpop fans will get it. ITZY has proved that they can make every genre work for them!
4. TXT’s “Frost”
Blending trap and hyperpop in a way that only TXT could, “Frost” stands out immediately with its unique sound. The clashing backtrack really sets the unsettling aura in motion, and the heavy vocals are just the cherry on top! The result is a song that has that hyperpop edge without sounding overly done. It’s a song that you’ll want to listen to over and over!
5. Choi Ye Na’s “Catch Catch”
If you prefer your hyperpop blended with something brighter, Choi Ye Na’s “Catch Catch” might just be the song for you! The busy backing track carries a lot of that hyperpop energy, but it’s that infectious, repetitive (in a good way) chorus that really nails it. It’s rare to see a song this unapologetically bubblegum these days, but Ye Na has done it perfectly!
6. NCT DREAM’s “Best of Me”
“Best of Me” by NCT DREAM leans on the hyperpop influence but doesn’t let it take over the song, so the members’ vocals really shine! The backing track hints at an energetic hyperpop sound without screaming it, and the subdued chorus takes advantage of editing without drowning out the vocals. There’s something about it that just sounds right.
7. f(x)’s “Kick”
Rounding out the list with a 2nd gen K-pop song bringing some hardcore hyperpop energy—it’s “Kick” by f(x)! This group is known for their experimental sound, and the brash, brassy line running throughout works super well in contrast with the low-key pre-chorus. If the “digital age” could be summed up in just one song, this might be it. It’s eclectic, electric, and totally iconic!
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